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	<title>GLASAMBRU</title>
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	<description>Glasambru is a music and multimedia platform for works and writings by composer Cluny Strachan</description>
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	<itunes:summary>This podcast is part of the GLASAMBRU online broadcast platform, which includes a blog which links to other multimedia, performance work, and projects by composer Cluny Strachan. Cluny&#039;s core motivation is about creating interesting, dynamic, work which hyper-dimensionalises situation, language, and the inter-relationships inherent in, and between media. The podcasts centre around works for orchestra, opera as multimedia performance, and various works for ensemble with unusual instrumental combinations, with visual, staged, or exhibited elements in their own right. Please subscribe to let glasambru keep you updated with the latest from this studio. Enjoy.</itunes:summary>
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		<title>Dezhou, megaphone and the detritus of a retrofitted past (our present): edit 1 (test) for orchestra, pre-recorded sound and voice</title>
		<link>http://www.glasambru.com/2011/03/14/dezhou_megaphone/</link>
		<comments>http://www.glasambru.com/2011/03/14/dezhou_megaphone/#comments</comments>
		<pubDate>Mon, 14 Mar 2011 16:44:17 +0000</pubDate>
		<dc:creator>GLASAMBRU</dc:creator>
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		<description><![CDATA[The recommended way to view this work is with the original flash animated visual element, which can be viewed by clicking here. This is a first edit of &#8216;Dezhou, megaphone&#8217;, works for symphony orchestra, which evolve juxtaposing individual elements of &#8230; <a href="http://www.glasambru.com/2011/03/14/dezhou_megaphone/">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p><iframe src="http://player.vimeo.com/video/13820552?title=0&amp;byline=0&amp;portrait=0&amp;color=666666" width="600" height="400" frameborder="0"></iframe></p>
<p>The recommended way to view this work is with the original flash animated visual element, which can be viewed by clicking <a href="http://www.glasambru.com/dezhou_megaphone_640x480"><b>here</b></a>.</p>
<p>This is a first edit of &#8216;Dezhou, megaphone&#8217;, works for symphony orchestra, which evolve juxtaposing individual elements of material that have been written independently from each other, using different reference sources, and approaches to style, genre and instrumentation, embodying different emotional, and situational states, and pre-recorded or audio visually manipulated environment.</p>
<p>It is part of an on going production of work that deals with relationships between non narrative forms, and context. It develops audio visual communicative forms which hyper-dimensionalise situation, language, and construct. It is built out of non representational inter-relationships inherent in and between media. Its juxtapositional dialogues deal with an understanding of communication akin to postmodern poetry, where language constructs consciousness. <span id="more-1"></span></p>
<p>My work is a sort of play on how we absorb information, what that information is, and how we interpret it. I am  throwing de-contextulized materials together as a way of building different kinds of interesting  dynamicisms which re-define story, and reorganize their textual, subtextual and descriptive properties to create  a &#8216;hyper conscious reality&#8217;, where function and meaning are subverted, and where story re-materializes in away that somehow reveals their otherwise un-described properties.</p>
<p class="mp4Link"><a href="http://www.glasambru.com/dezhou_megaphone_640x480/dezhou_megaphone.mp4">Link to original mp4 file for iTunes</a></p>
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			<itunes:subtitle>The recommended way to view this work is with the original flash animated visual element, which can be viewed by clicking here. This is a first edit of &#039;Dezhou, megaphone&#039;, works for symphony orchestra, which evolve juxtaposing individual elements of ...</itunes:subtitle>
		<itunes:summary>The recommended way to view this work is with the original flash animated visual element, which can be viewed by clicking here.
This is a first edit of &#039;Dezhou, megaphone&#039;, works for symphony orchestra, which evolve juxtaposing individual elements of material that have been written independently from each other, using different reference sources, and approaches to style, genre and instrumentation, embodying different emotional, and situational states, and pre-recorded or audio visually manipulated environment.
It is part of an on going production of work that deals with relationships between non narrative forms, and context. It develops audio visual communicative forms which hyper-dimensionalise situation, language, and construct. It is built out of non representational inter-relationships inherent in and between media. Its juxtapositional dialogues deal with an understanding of communication akin to postmodern poetry, where language constructs consciousness. 
My work is a sort of play on how we absorb information, what that information is, and how we interpret it. I am  throwing de-contextulized materials together as a way of building different kinds of interesting  dynamicisms which re-define story, and reorganize their textual, subtextual and descriptive properties to create  a &#039;hyper conscious reality&#039;, where function and meaning are subverted, and where story re-materializes in away that somehow reveals their otherwise un-described properties.
Link to original mp4 file for iTunes</itunes:summary>
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